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Grade 3 Fine Arts Colorado Standards

133 standards - Colorado standards

These are the official Grade 3 Fine Arts Colorado standards — the exact codes and student expectations grade 3 teachers are required to teach and Colorado state test assesses. Browse every standard below, then generate a print-ready, standards-aligned worksheet, lesson plan, exit ticket, or assessment for any of them in seconds.

Standards

DA.3.1

Movement, Technique, and Performance

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DA.3.1.1

Perform movement with technical competency and skill.

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DA.3.1.1.a

Develop technique appropriate to the dance style.

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DA.3.1.1.b

Accurately reproduce movement sequences.

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DA.3.1.2

Perform movements while observing safe body practices.

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DA.3.1.2.a

Participate in warm-ups with an understanding of progression.

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DA.3.1.2.b

Identify the parts of the body used while dancing.

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DA.3.2

Create, Compose, and Choreograph

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DA.3.2.1

Identify and experiment with movement to create simple patterns and dance structures.

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DA.3.2.1.a

Communicate feelings and intent through improvisation

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DA.3.2.1.b

Recognize and demonstrate simple patterns and contrasting movements.

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DA.3.2.1.c

Solve simple movement problems alone and with partners.

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DA.3.2.1.d

Improvise movement that has a beginning, middle, and end.

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DA.3.2.2

Create simple movements that can be organized into a movement phrase.

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DA.3.2.2.a

Organize movements created into short dances based on a creative process.

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DA.3.2.2.b

Create simple movement phrases that meet given criteria.

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DA.3.2.2.c

Manipulate or modify movement sequences that have a beginning, middle, and end.

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DA.3.2.2.d

Edit and refine a dance to clarify intent.

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DA.3.3

Historical and Cultural Context

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DA.3.3.1

Identify and demonstrate movements that are era and culturally specific.

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DA.3.3.1.a

Compare and contrast different cultural dances using movement descriptions and performance.

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DA.3.3.1.b

Describe distinguishing characteristics of historical and cultural dances.

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DA.3.3.2

Recognize and describe ways in which dance represents different eras and cultures.

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DA.3.3.2.a

Contrast the differences in dances of different eras.

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DA.3.3.2.b

Describe cultural aspects from videos and pictures.

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DA.3.4

Reflect, Connect, and Respond

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DA.3.4.1

Compare and contrast different dances.

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DA.3.4.1.a

Use dance vocabulary to identify movements, basic structure, and emotion in dance.

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DA.3.4.1.b

Identify and describe the movement content of a particular dance work.

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DA.3.4.2

Discover connections between dance and other academic content.

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DA.3.4.2.a

Identify that dance relates to other academic content areas.

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DA.3.4.2.b

Identify dance in a variety of communities.

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DA.3.4.2.c

Discover how arts are related to one another.

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DT.3.1

Create

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DT.3.1.1

Generate and conceptualize artistic ideas and work.

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DT.3.1.1.a

Investigate through collaboration to determine how characters might move and speak to support the story and given circumstances in a creative drama or theatre work.

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DT.3.1.1.b

Imagine and articulate ideas for costumes, props, and sets for the environment and characters in a creative drama or theatre work.

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DT.3.1.1.c

Create characters, imagined worlds, and improvised stories in creative drama and theatre.

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DT.3.1.2

Organize and develop artistic ideas and work.

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DT.3.1.2.a

Devise original ideas for creative drama and theatre through various forms of independent, group collaboration, and whole class investigation.

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DT.3.1.2.b

Explore roles and responsibilities required to create a creative drama or theatre work.

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DT.3.1.3

Connect artistic ideas to personal experience and varied perspectives.

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DT.3.1.3.a

Use personal experience and background knowledge to create connections to community and culture in creative drama and theatre

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DT.3.1.3.b

Collaborate on the creation of a short scene based on a non-fiction literary source in a guided drama experience (e.g., process drama or story drama).

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DT.3.1.4

Refine towards completion of artistic work.

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DT.3.1.4.a

Explore possible revisions or adaptions that could be made in a creative drama or theatre work.

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DT.3.1.4.b

Participate and contribute to physical and vocal exploration in an improvised or scripted work.

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DT.3.1.4.c

Identify design and technical choices that support a devised or scripted work.

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DT.3.2

Perform

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DT.3.2.1

Select, analyze, and interpret artistic work for presentation.

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DT.3.2.1.a

With prompting and support, identify and apply the elements of dramatic structure to a creative drama or theatre work.

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DT.3.2.1.b

With prompting and support, investigate how movement and voice enhance a creative drama or theatre work.

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DT.3.2.2

Develop and refine artistic techniques, choices, and work for presentation.

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DT.3.2.2.a

With prompting and support, collaborate as an ensemble to integrate movement and vocal choices in a creative drama or theatre work.

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DT.3.2.2.b

With prompting and support, explore alternative basic technical elements (e.g., setting, props, and costumes) used in a creative drama or theatre work.

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DT.3.2.3

Connect artistic work with audience, community, and ensemble.

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DT.3.2.3.a

With prompting and support, identify connections to community, social issues, and other content areas in a creative drama or theatre work.

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DT.3.2.4

Convey meaning through the presentation of artistic work.

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DT.3.2.4.a

With prompting and support, use individual, small ensemble and/or audience feedback to guide performance in creative drama and theatre works.

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DT.3.3

Critically Respond

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DT.3.3.1

Perceive and analyze artistic work.

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DT.3.3.1.a

Understand and interpret why artistic choices are made in creative drama or theatre work.

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DT.3.3.2

Interpret intent and meaning in artistic work.

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DT.3.3.2.a

Utilize various personal experiences and background knowledge to analyze creative drama or theatre work.

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DT.3.3.2.b

Examine and analyze the different ways characters are developed through the inclusion of props, costume design, and makeup that reflect cultural perspectives in creative drama or theatre work.

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DT.3.3.2.c

Examine how connections are made between oneself and a character’s emotions in creative drama or theatre work.

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DT.3.3.3

Connect artistic experiences to our world; past, present, and future.

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DT.3.3.3.a

Examine how artists have historically presented the same stories using different art forms, genres, or drama/theatre conventions.

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DT.3.3.4

Apply criteria to evaluate artistic work.

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DT.3.3.4.a

Identify the processes that groups use to evaluate creative drama or theatre work.

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DT.3.3.4.b

Consider and analyze design or technical elements from multiple creative drama or theatre works.

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DT.3.3.4.c

Evaluate and analyze problems and situations in a creative drama or theatre work from an audience perspective.

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MU.3.1

Expression of Music

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MU.3.1.1

Perform/Demonstrate music that exhibits learned rhythmic, melodic, and introductory accompaniment components.

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MU.3.1.1.a

Demonstrate learned melodic, rhythmic, and harmonic phrases using expressive elements.

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MU.3.1.1.b

Demonstrate and connect songs with multiple rhythmic or melodic ostinati in small groups.

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MU.3.1.1.c

Demonstrate and interpret melodies based on the pentatonic scale.

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MU.3.1.2

Perform/Demonstrate notated songs with accurate pitch, rhythm, harmony, tone and expressive elements.

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MU.3.1.2.a

Use accurate vocal and instrumental techniques when singing and playing instruments.

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MU.3.1.2.b

Demonstrate two-part songs (e.g., rounds, partner songs) using speech, body percussion, singing, movement, or instruments.

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MU.3.1.2.c

Use notation to accurately perform rhythms and melodic direction.

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MU.3.1.3

Apply teacher and peer critique and self-reflection to refine individual technique and performance of simple notated songs.

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MU.3.1.3.a

Engage in refinement and feedback processes to prepare music for performance.

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MU.3.1.3.b

Self-evaluate to refine musical performance.

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MU.3.1.3.c

Critique expressive elements performed by others.

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MU.3.2

Creation of Music

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MU.3.2.1

Compose, improvise, and arrange in known musical forms using rhythm and/or pitch.

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MU.3.2.1.a

Create and document a melodic and/or rhythmic composition using known rhythms and pitches.

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MU.3.2.1.b

Generate and improvise musical ideas within a musical structure (e.g. rondo).

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MU.3.2.1.c

Arrange an accompaniment to support a musical idea using known rhythms or pitches.

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MU.3.3

Theory of Music

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MU.3.3.1

Identify and demonstrate notated melodic, rhythmic, and harmonic patterns.

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MU.3.3.1.a

Melody: Identify and demonstrate musical symbols by name or function.

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MU.3.3.1.b

Rhythm: Identify and demonstrate four sixteenth notes, dotted half note.

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MU.3.3.1.c

Harmony: Identify, perform, or respond to harmonic changes using tonic and dominant chords (e.g., intervals, bourdun, ostinato, home tone).

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MU.3.3.2

Identify and demonstrate gradual tempos, dynamics, and articulations.

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MU.3.3.2.a

Tempo: Identify and demonstrate accelerando/ritardando.

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MU.3.3.2.b

Dynamics: Identify and demonstrate crescendo/decrescendo.

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MU.3.3.2.c

Articulation: Identify and demonstrate legato, staccato.

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MU.3.3.3

Identify and demonstrate advanced form, meter, and timbre elements.

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MU.3.3.3.a

Form/Structure: Aurally identify rondo.

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MU.3.3.3.b

Meter/Beat Groupings: Identify and demonstrate various time signatures including 2/4, 3/4, 4/4.

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MU.3.3.3.c

Timbre: Aurally identify instruments and families.

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MU.3.4

Response to Music

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MU.3.4.1

Select and use specific criteria in making judgments about the quality of a musical performance.

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MU.3.4.1.a

Communicate how expressive qualities (such as dynamics, modality, tempo and meter) are used to reflect expressive intent.

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MU.3.4.1.b

Communicate similarities and differences in music.

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MU.3.4.2

Identify differences and commonalities in music from various cultures.

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MU.3.4.2.a

Describe vocal and instrumental timbres and their uses in various cultures.

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MU.3.4.2.b

Communicate similarities and differences in music used for holidays, celebrations, and day-to-day life from various cultures.

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MU.3.4.2.c

Discuss reasons that different kinds of music are important to different people and cultures.

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3.1

Observe and Learn to Comprehend

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3.1.1

Investigate works of art and design to recognize how to create meaning with purpose and intent.

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3.1.1.a

Identify historical and cultural ideas evident in works of visual art and design.

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3.1.1.b

Use the language of visual art and design as a tool to help determine artistic intent.

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3.1.1.c

Discuss how the use of a material supports or detracts from intended meaning.

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3.2

Envision and Critique to Reflect

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3.2.1

Demonstrate an understanding of how intent and purpose are informed by research and experimentation.

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3.2.1.a

Use peer feedback and self-reflection to inform next steps and improve works of art and design.

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3.2.1.b

Describe how research informed a personal work of art.

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3.2.2

Synthesize ideas about personal works of art and imagine possible next steps.

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3.2.2.a

Demonstrate understanding of how research inspires development of ideas.

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3.2.2.b

Envision solutions to artmaking problems.

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3.3

Invent and Discover to Create

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3.3.1

Plan and create works of visual art and design recognizing various purposes and intentions.

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3.3.1.a

Demonstrate how working collaboratively can enhance the artistic process.

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3.3.1.b

Demonstrate understanding of how experimentation helps develop making with purpose and intent.

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3.3.1.c

Determine whether a work of art is finished.

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3.3.1.d

Demonstrate how the art room is a community of makers.

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3.4

Relate and Connect to Transfer

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3.4.1

Recognize how works of visual art and design communicate meaning both within a community and between diverse cultures.

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3.4.1.a

Investigate how visual art and design can make connections between subjects, disciplines or events.

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3.4.1.b

Connect the meaning of personal works of art to historical, cultural or community events.

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