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Grade 5 Fine Arts Colorado Standards

143 standards - Colorado standards

These are the official Grade 5 Fine Arts Colorado standards — the exact codes and student expectations grade 5 teachers are required to teach and Colorado state test assesses. Browse every standard below, then generate a print-ready, standards-aligned worksheet, lesson plan, exit ticket, or assessment for any of them in seconds.

Standards

DA.5.1

Movement, Technique, and Performance

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DA.5.1.1

Demonstrate developing dance technique, vocabulary, and skills in various dance styles.

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DA.5.1.1.a

Navigate personal dance space while connecting with other dancers in the collective dance space.

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DA.5.1.1.b

Enhance movement and performance expression.

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DA.5.1.1.c

Demonstrate strength, flexibility and body awareness when performing dances from multiple genres.

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DA.5.1.2

Identify appropriate alignment and control while dancing.

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DA.5.1.2.a

Apply self-awareness to safe body movement.

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DA.5.1.2.b

Perform movements with a pathway that accommodates their body needs.

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DA.5.1.3

Explore strategies to perform a specific intent in a performed dance.

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DA.5.1.3.a

Perform dances with different intentions.

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DA.5.1.3.b

Coordinate different parts of the body while performing within an ensemble.

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DA.5.2

Create, Compose, and Choreograph

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DA.5.2.1

Manipulate or modify a variety of ideas to expand movement possibilities and create a variety of patterns and structures.

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DA.5.2.1.a

Experiment with movement that responds to a variety of stimuli (art, music, objects etc.).

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DA.5.2.1.b

Develop spontaneous improvised movements that can have a beginning, middle, and end.

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DA.5.2.1.c

Improvise alone, with partners, or in small groups.

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DA.5.2.2

Create dance studies alone or in groups using a variety of themes, structures, and inspirations.

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DA.5.2.2.a

Create movement phrases and dance sequences using compositional structures.

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DA.5.2.2.b

Demonstrate an understanding of a variety of techniques and vocabulary when creating dances.

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DA.5.2.2.c

Create transitions between movement sequences to strengthen intent.

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DA.5.2.2.d

Utilize feedback and revision to modify dance sequences.

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DA.5.3

Historical and Cultural Context

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DA.5.3.1

Identify and demonstrate movements and terminology consistent with different eras and cultures.

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DA.5.3.1.a

Observe and describe movements from various cultures and eras using culturally specific terms.

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DA.5.3.1.b

Perform movements specific to various cultures and eras.

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DA.5.3.1.c

Compare and contrast dances from various cultures.

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DA.5.3.2

Identify and examine the influences of an era and culture on a dance form.

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DA.5.3.2.a

Identify and examine dances of the past and dances of the present.

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DA.5.3.2.b

Identify similarities and differences of dances in cultures.

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DA.5.4

Reflect, Connect, and Respond

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DA.5.4.1

Describe meaning in artistic work created by self and others.

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DA.5.4.1.a

Use dance vocabulary to describe theme, meaning, and structure in dance.

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DA.5.4.1.b

Identify and describe the movement content of a particular dance work and the effect each component has on the work.

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DA.5.4.2

Discover personal connections through dance to other academic content and a broader creative community.

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DA.5.4.2.a

Identify the relationship between subjects such as music, visual art, language arts, math, science, and others with dance.

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DA.5.4.2.b

Show similarities and differences between dance, other art forms and school subjects.

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DA.5.4.2.c

Describe the impact of dance within individual communities.

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DT.5.1

Create

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DT.5.1.1

Generate and conceptualize artistic ideas and work.

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DT.5.1.1.a

Invent physical qualities that reveal a character’s inner traits and given circumstances in the imagined world of a creative drama or theatre work.

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DT.5.1.1.b

Propose design ideas that support the story and given circumstances in a creative drama or theatre work.

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DT.5.1.1.c

Generate a cohesive expression of a creative drama or theatre work that demonstrates character, visual, and design elements, and story.

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DT.5.1.2

Organize and develop artistic ideas and work.

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DT.5.1.2.a

Collaborate with peers to make choices concerning a story’s imagined situation that enhance and deepen characters and plot.

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DT.5.1.2.b

Participate in defined responsibilities of theatre practitioners in order to present a creative drama or theatre work informally to an audience.

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DT.5.1.3

Connect artistic ideas to personal experience and varied perspectives.

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DT.5.1.3.a

Analyze commonalities and differences between stories set in different cultures in preparation for a creative drama or theatre work.

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DT.5.1.3.b

Compare the drama or theatre conventions of a given time period with those of the present.

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DT.5.1.4

Refine towards completion of artistic work.

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DT.5.1.4.a

Revise and improve improvised or scripted work through rehearsal and self or peer critique.

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DT.5.1.4.b

Make physical and vocal choices to continually develop characters in an improvised or scripted creative drama or theatre work..

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DT.5.1.4.c

Create innovative solutions to design and technical problems that arise in rehearsal for a creative drama or theatre work.

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DT.5.2

Perform

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DT.5.2.1

Select, analyze, and interpret artistic work for presentation.

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DT.5.2.1.a

Describe the underlying thoughts and emotions that create dialogue and action in a creative drama or theatre work.

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DT.5.2.1.b

Make physical and vocal choices to interpret a character’s motivation in a creative drama or theatre work.

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DT.5.2.2

Develop and refine artistic techniques, choices, and work for presentation.

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DT.5.2.2.a

As an ensemble, collaborate, choose, and implement acting exercises that can enhance a creative drama or theatre work.

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DT.5.2.2.b

As an ensemble, collaborate, choose, and implement technical elements that can enhance a creative drama or theatre work.

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DT.5.2.3

Connect artistic work with audience, community, and ensemble.

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DT.5.2.3.a

Explain how creative drama or theatre work connects oneself to a community or culture.

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DT.5.2.4

Convey meaning through the presentation of artistic work.

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DT.5.2.4.a

Perform small ensemble creative drama or theatre work for an audience of peers using technical elements to enhance the meaning.

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DT.5.3

Critically Respond

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DT.5.3.1

Perceive and analyze artistic work.

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DT.5.3.1.a

Explain personal reactions to artistic choices made in a creative drama or theatre work through participation and observation.

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DT.5.3.2

Interpret intent and meaning in artistic work.

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DT.5.3.2.a

Justify or explain personal reactions when participating in or observing a creative drama or theatre work.

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DT.5.3.2.b

Explain responses to characters based on personal cultural perspectives when participating in or observing a creative drama or theatre work.

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DT.5.3.2.c

Investigate the effects of emotions on posture, gesture, breathing, and vocal intonation in a creative drama or theatre work.

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DT.5.3.3

Connect artistic experiences to our world; past, present, and future.

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DT.5.3.3.a

Investigate historical, global, and social issues expressed in a creative drama or theatre work.

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DT.5.3.4

Apply criteria to evaluate artistic work.

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DT.5.3.4.a

Develop and implement a plan to evaluate a creative drama or theatre work.

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DT.5.3.4.b

Assess how technical elements represent the theme of a creative drama or theatre work.

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DT.5.3.4.c

Recognize and connect how a character’s circumstances impact an audience’s perspective in a creative drama or theatre work.

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MU.5.1

Expression of Music

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MU.5.1.1

Perform/Demonstrate music that exhibits learned rhythmic, melodic, and accompaniment components.

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MU.5.1.1.a

Demonstrate and compare and contrast harmonic changes in songs (e.g., major vs. minor, blues, chord progressions, etc.).

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MU.5.1.1.b

Demonstrate learned melodic, rhythmic, and harmonic patterns using expressive elements.

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MU.5.1.1.c

Demonstrate songs in major and minor keys.

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MU.5.1.2

Perform/Demonstrate extended notated songs with accurate pitch, rhythm, tone, harmony and expressive elements.

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MU.5.1.2.a

Demonstrate multi-layered rhythmic and melodic pieces and songs (e.g., rounds, partner songs, descants) learned from notation.

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MU.5.1.2.b

Demonstrate following the director’s indications for expressive elements.

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MU.5.1.3

Apply teacher and peer critique and self-reflection to refine individual and ensemble technique and performance.

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MU.5.1.3.a

Engage in refinement and feedback processes to prepare music for performance.

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MU.5.1.3.b

Self-evaluate to refine musical performance.

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MU.5.1.3.c

Critique expressive elements performed by others.

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MU.5.2

Creation of Music

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MU.5.2.1

Compose, improvise, and arrange a musical idea using rhythm and pitches with accompaniment.

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MU.5.2.1.a

Create and document a melodic and/or rhythmic composition with accompaniment to present a chosen style or mood.

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MU.5.2.1.b

Generate and improvise musical ideas over an accompaniment (e.g., 12-bar blues, changing chord ostinati or other accompaniment, vocal ostinati).

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MU.5.2.1.c

Arrange an accompaniment to go with a melody

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MU.5.3

Theory of Music

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MU.5.3.1

Identify and demonstrate complex notated melodic, rhythmic, and harmonic patterns.

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MU.5.3.1.a

Melody: Identify and demonstrate awareness of whole/half steps.

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MU.5.3.1.b

Rhythm: Identify and demonstrate syncopated rhythms.

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MU.5.3.1.c

Harmony: Identify, perform, or respond to extended harmonic patterns (e.g., I-V, V-I, I-IV-V-I).

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MU.5.3.2

Identify and demonstrate new and learned tempos, dynamics, and articulations.

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MU.5.3.2.a

Tempo: Identify and demonstrate written tempo symbols.

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MU.5.3.2.b

Dynamics: Identify and demonstrate the written symbols for dynamic changes.

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MU.5.3.2.c

Articulation: Identify and demonstrate learned written articulations.

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MU.5.3.3

Identify and apply complex form, meter, and timbre elements.

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MU.5.3.3.a

Form/Structure: Identify D.S. al Coda, D.C. al fine, 1st/2nd endings.

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MU.5.3.3.b

Meter/Beat Groupings: Identify the purpose of the top and bottom number in a time signature.

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MU.5.3.3.c

Timbre: Aurally identify 3+ parts, and various world instruments.

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MU.5.4

Response to Music

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MU.5.4.1

Create and use specific criteria in responding to a musical performance.

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MU.5.4.1.a

Discriminate between both musical (rhythm, melody, tempo) and nonmusical (text, feelings) elements that influence musical performance and preference.

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MU.5.4.1.b

Discuss the difference between preference versus quality of musical works.

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MU.5.4.2

Identify differences and commonalities in music from a variety of sources and intentions (e.g. historical periods, cultures, genres).

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MU.5.4.2.a

Describe the use of various timbres and rhythmic patterns and their uses in various historical periods and cultures.

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MU.5.4.2.b

Communicate similarities and differences in music from various historical periods.

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MU.5.4.2.c

Communicate ways in which music has been important to people throughout historical periods.

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5.1

Observe and Learn to Comprehend

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5.1.1

Investigate and analyze how specific points of view can be communicated through the language of visual art and design.

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5.1.1.a

Explore connections between works of art from different cultures through time.

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5.1.1.b

Infer intended meaning using the language of visual art and design.

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5.1.1.c

Investigate how artists communicate points of view through personal works of art based on lived experiences.

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5.1.2

Demonstrate an understanding of how works of visual art and design are influenced by the culture of daily life.

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5.1.2.a

Observe and discuss how visual art and design exist in a shared contemporary world.

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5.1.2.b

Investigate and discuss how popular culture influences visual art and design.

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5.2

Envision and Critique to Reflect

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5.2.1

Using a variety of criteria, question and evaluate works of art.

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5.2.1.a

Support collaborative dialogue to analyze and evaluate one’s own work and that of others.

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5.2.1.b

Reflect on how intended meaning influences the artmaking process.

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5.2.2

Visualize intended meaning and determine a method of planning that best supports personal artmaking.

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5.2.2.a

Reflect on how problem-solving drives the creative process.

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5.2.2.b

Identify various methods of planning for visual art and design

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5.3

Invent and Discover to Create

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5.3.1

Plan works of visual art and design where intended meaning is communicated to viewers.

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5.3.1.a

Make decisions during the creative process that best supports the intended point of view.

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5.3.1.b

Discuss with others to determine if intended meaning was effectively communicated.

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5.3.1.c

Contribute to the community of makers in a shared art space.

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5.3.2

Apply an understanding of art processes and studio skills to create works of art and design.

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5.3.2.a

Utilize traditional and contemporary media to effectively communicate intended meaning.

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5.3.2.b

Revise works of visual art and design to improve ideas.

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5.3.2.c

Justify choices made during the artistic process that resulted in the finished work of art and design.

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5.3.2.d

Prepare works of art and design for presentation.

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5.4

Relate and Connect to Transfer

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5.4.1

Using interdisciplinary knowledge, investigate and interpret how diverse communities address issues relevant to their place and times.

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5.4.1.a

Investigate how the reciprocal relationship between a work of visual art and design and the context of its culture deepens understanding.

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5.4.1.b

Discuss how art reflects diverse social values and beliefs.

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