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Grade 6 Fine Arts Colorado Standards

256 standards - Colorado standards

These are the official Grade 6 Fine Arts Colorado standards — the exact codes and student expectations grade 6 teachers are required to teach and Colorado state test assesses. Browse every standard below, then generate a print-ready, standards-aligned worksheet, lesson plan, exit ticket, or assessment for any of them in seconds.

Standards

DA.EM.1

Movement, Technique, and Performance

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DA.EM.1.1

Demonstrate intermediate dance technique, vocabulary, and skill in various styles with a range of dynamics and emerging artistic expression.

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DA.EM.1.1.a

Refine kinesthetic alignment to demonstrate appropriate and safe dance technique.

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DA.EM.1.1.b

Apply the qualities required for dynamic expression in movement.

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DA.EM.1.1.c

Perform movement sequences with clarity of movement, attention to detail and artistic expression.

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DA.EM.1.2

Demonstrate alignment and control while moving.

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DA.EM.1.2.a

Apply body self-awareness to safe body movement.

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DA.EM.1.2.b

Examine how healthful strategies (e.g., nutrition, injury prevention, emotional health, overall functioning) and safe body-use practices are essential for the dancer.

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DA.EM.1.2.c

Examine how kinesthetic principles and various body systems (e.g., cardiovascular, respiratory, musculoskeletal) relate to the dancing body.

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DA.EM.1.2.d

Maintain organization and self-awareness of the body while moving (e.g., balance, coordination, flexibility, alignment, core strength).

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DA.EM.1.2.e

Explore movement that develops a wide range of motion, muscular flexibility, strength, and endurance. Explore different body conditioning techniques.

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DA.EM.1.3

Perform dances that communicate a specific intent and identify production elements that enhance performance.

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DA.EM.1.3.a

Collaborate to refine dances and clearly communicate intent.

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DA.EM.1.3.b

Adapt to and communicate about varying performance areas.

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DA.EM.1.3.c

Identify and define various roles within a dance production.

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DA.EM.2

Create, Compose, and Choreograph

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DA.EM.2.1

Compare a variety of stimuli to expand movement vocabulary and artistic expression through improvisational movement.

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DA.EM.2.1.a

Apply movement in various combinations.

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DA.EM.2.1.b

Apply basic improvisational skills and techniques.

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DA.EM.2.1.c

Identify reasons for movement and structural choices.

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DA.EM.2.1.d

Adapt ideas to fit the needs of their group and community.

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DA.EM.2.2

Create, Compose, and Choreograph

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DA.EM.2.2.a

Create, refine, and perform dance studies which demonstrate clarity of artistic intent.

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DA.EM.2.2.b

Utilize multiple movement sequences with a variety of choreographic forms and techniques.

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DA.EM.2.2.c

Compare and articulate the creative choices made in choreography.

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DA.EM.3

Historical and Cultural Context

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DA.EM.3.1

Identify, demonstrate, and arrange movements and terminology consistent with various eras and cultures.

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DA.EM.3.1.a

Observe and describe movements from various cultures and eras using existing knowledge.

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DA.EM.3.1.b

Identify and perform movements specific to various cultures and eras.

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DA.EM.3.1.c

Use era and culturally specific themes and movements in creating sequences.

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DA.EM.3.2

Identify, with supporting evidence, historical and cultural aspects of dance.

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DA.EM.3.2.a

Research historical contexts which contributed to the development of different dance styles.

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DA.EM.3.2.b

Discuss movement characteristics or movement qualities in a specific era or culture.

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DA.EM.3.2.c

Identify and discuss dances performed by people in various localities or communities.

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DA.EM.4

Reflect, Connect, and Respond

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DA.EM.4.1

Interpret meaning in dance created by self and others.

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DA.EM.4.1.a

Critique self and peers’ application of stimuli, various choreographic forms, clarity of intent and artistic expression.

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DA.EM.4.1.b

Compare and contrast the use of movement and choreographic structure to convey intent and meaning.

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DA.EM.4.1.c

Describe specific differences and similarities among genres and artists.

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DA.EM.4.2

Compare and contrast dance with other art forms, school subjects, professions, and the community.

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DA.EM.4.2.a

Analyze the relationships between subjects such as music, visual art, language arts, math, science, and others with dance.

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DA.EM.4.2.b

Analyze the similarities and differences between subjects such as music, visual art, language arts, math, science, and others with dance.

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DA.EM.4.2.c

Analyze the impact of dance within individual communities.

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DA.EX.1

Movement, Technique, and Performance

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DA.EX.1.1

Demonstrate dance technique, vocabulary, and skill in various styles with proficiency and artistic expression.

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DA.EX.1.1.a

Use the broadest range of movement and vocabulary possible for artistic and expressive clarity.

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DA.EX.1.1.b

Demonstrate phrasing with and without musical accompaniment using multiple and complex rhythms or sounds.

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DA.EX.1.1.c

Confidently perform alone and with others to establish intentional relationships with dancers and the environment.

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DA.EX.1.2

Apply and evaluate kinesthetic awareness to create healthful practices in dance.

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DA.EX.1.2.a

Research healthful strategies essential for dancers and modify personal practice based on findings.

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DA.EX.1.2.b

Investigate how kinesthetic principles and various body systems, such as muscles and bones, relate to the dancing body.

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DA.EX.1.2.c

Maintain optimal alignment and adjust the placement and shifting energy of the body while traveling through space.

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DA.EX.1.2.d

Develop personal conditioning practices, using different body conditioning techniques, that improve range of motion, muscular flexibility, strength, and endurance to enhance performance.

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DA.EX.1.2.e

Apply body-mind principles to technical dance skills in complex movement.

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DA.EX.1.3

Create and implement production strategies that correlate with performance intention.

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DA.EX.1.3.a

Analyze and re-evaluate personal goals to enhance performance strategies and practices.

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DA.EX.1.3.b

Create designs for the production of a performance while selecting and executing the ideas that would intensify and heighten the intent of the dances.

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DA.EX.1.3.c

Demonstrate leadership qualities (for example commitment, dependability, responsibility, and cooperation) when preparing for performances.

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DA.EX.1.3.d

Model performance etiquette and performance practices during class, rehearsal, and performance.

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DA.EX.2

Create, Compose, and Choreograph

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DA.EX.2.1

Apply and analyze movement to explore personal preferences and possibilities through improvisation.

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DA.EX.2.1.a

Use improvisation tools to develop new pathways to creating and communicating.

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DA.EX.2.1.b

Apply advanced improvisational skills and techniques.

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DA.EX.2.1.c

Evaluate and refine personal preferences and possibilities for movement.

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DA.EX.2.1.d

Adapt ideas to fit the needs of their group and community.

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DA.EX.2.2

Demonstrate fluency in creative processes both independently and with a group.

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DA.EX.2.2.a

Refine and transform choreography collaboratively or independently based on artistic criteria, self-reflection, and the feedback of others.

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DA.EX.2.2.b

Develop creative process strategies that consider complex relationships of movement components and/or diverse choreographic sources for a dance composition.

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DA.EX.2.2.c

Analyze, evaluate, and synthesize the impact of choices made during the revision process to deepen the intention of the choreography.

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DA.EX.3

Historical and Cultural Context

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DA.EX.3.1

Compose, perform, and critique dance works that are era or culturally specific.

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DA.EX.3.1.a

Discuss, embody, and describe dance technique and movement vocabulary specific to a culture.

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DA.EX.3.1.b

Recognize one’s own cultural, personal, and historical biases when analyzing dance from a culture different from one’s own.

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DA.EX.3.1.c

Identify commonalities and differences in dance technique and vocabulary across cultures.

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DA.EX.3.1.d

Create a dance using historically and culturally specific movements.

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DA.EX.3.2

Draw connections between cultures and eras through dance research.

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DA.EX.3.2.a

Compare and synthesize contrasting viewpoints and identify the tensions between them.

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DA.EX.3.2.b

Analyze dance as a reflection of culture and society.

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DA.EX.4

Reflect, Connect, and Respond

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DA.EX.4.1

Critique, analyze, reflect upon, and understand dance using applicable technique and vocabulary.

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DA.EX.4.1.a

Analyze dances using appropriate language of movement, technical terminology, and critical response.

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DA.EX.4.1.b

Articulate personal connections to a dance.

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DA.EX.4.1.c

Critique the structure, technique, and choreographic intent of a dance.

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DA.EX.4.2

Analyze and demonstrate the connections between other art forms, school subjects, professions, and community roles with dance.

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DA.EX.4.2.a

Analyze and synthesize the use of school subjects such as music, visual art, language arts, math, science, and others and in dance.

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DA.EX.4.2.b

Discover and analyze career opportunities integrating dance with the surrounding communities.

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DA.EX.4.2.c

Demonstrate and articulate how communities and dance impact each other

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DA.IN.1

Movement, Technique, and Performance

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DA.IN.1.1

Demonstrate developing dance technique, vocabulary and skills in various styles while displaying a wide range of movement dynamics and exploring artistic expression.

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DA.IN.1.1.a

Use focus of eyes while demonstrating a range of movement and vocabulary.

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DA.IN.1.1.b

Perform dance phrases of different lengths that use various tempos and rhythms.

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DA.IN.1.1.c

Embody technical dance skills to explore artistic expression.

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DA.IN.1.1.d

Perform movements in relation to other dancers, objects, and environment.

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DA.IN.1.2

Embody alignment and control while moving.

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DA.IN.1.2.a

Examine how healthful strategies (e.g., nutrition, injury prevention, emotional health, overall functioning) and safe body-use practices are essential for the dancer.

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DA.IN.1.2.b

Examine how kinesthetic principles and various body systems (e.g., cardiovascular, respiratory, musculoskeletal) relate to the dancing body.

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DA.IN.1.2.c

Maintain organization and self-awareness of the body while moving (e.g., balance, coordination, flexibility, alignment, core strength).

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DA.IN.1.2.d

Explore movement that develops a wide range of motion, muscular flexibility, strength, and endurance. Explore different body conditioning techniques.

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DA.IN.1.3

Identify and explore production strategies that correlate with performance intention.

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DA.IN.1.3.a

Articulate personal performance goals and practice to reach goals.

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DA.IN.1.3.b

Collaborate with peers to enhance dance choreography and performance.

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DA.IN.1.3.c

Apply production terminology and collaborate to design and execute production elements that contribute to the artistic intent of a dance performance.

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DA.IN.2

Create, Compose, and Choreograph

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DA.IN.2.1

Use contrasting stimuli to develop artistic expression through improvisational movement.

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DA.IN.2.1.a

Arrange movement to convey artistic intent.

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DA.IN.2.1.b

Apply intermediate improvisational skills and techniques.

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DA.IN.2.1.c

Select and justify personal preferences for movement and structural choices.

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DA.IN.2.1.d

Adapt ideas to fit the needs of their group and community.

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DA.IN.2.2

Exploring different creative processes both independently and with a group that shows intent.

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DA.IN.2.2.a

Implement movement from a variety of stimuli to develop an original piece of choreography.

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DA.IN.2.2.b

Articulate the creative process used for making choreography.

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DA.IN.2.2.c

Revise choreography collaboratively or independently based on artistic criteria, self-reflection, and the feedback of others.

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DA.IN.2.3

Historical and Cultural Context

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DA.IN.3.1

Arrange, demonstrate, and critique era and culturally specific movement sequences.

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DA.IN.3.1.a

Discuss, embody, and describe dance technique and movement vocabulary specific to a culture.

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DA.IN.3.1.b

Communicate how dances from a variety of cultures, societies, historical periods, or communities reveal the ideas and perspectives of people.

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DA.IN.3.1.c

Use era and culturally specific themes and movements in creating sequences.

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DA.IN.3.1.d

Recognize one’s own cultural, personal, and historical biases when analyzing dance from a culture different from one’s own.

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DA.IN.3.2

Identify, with supporting evidence, historical and cultural aspects of two or more dance forms.

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DA.IN.3.2.a

Analyze and discuss how dances from a variety of cultures, societies, historical periods, or communities reveal the ideas and perspectives of the people.

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DA.IN.3.2.b

Formulate possible reasons why similarities and differences in movement are developed in relation to the ideas and perspectives of the people.

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DA.IN.4

Reflect, Connect, and Respond

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DA.IN.4.1

Reflect upon the meaning of dance created by others and explain the intent of dance created by oneself.

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DA.IN.4.1.a

Respond to dances using appropriate dance language.

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DA.IN.4.1.b

Explain how artistic expression is achieved through relationships between movement, dance technique and context.

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DA.IN.4.1.c

Cite evidence in the dance to support their interpretations using dance terminology.

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DA.IN.4.1.d

Identify the choreographic structure, cultural origin, and technique of the dance viewed.

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DA.IN.4.2

Identify how other art forms, school subjects, professions, and community roles are used in dance.

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DA.IN.4.2.a

Demonstrate the use of school subjects such as music, visual art, language arts, math, science, and others and in dance.

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DA.IN.4.2.b

Investigate career opportunities in dance.

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DA.IN.4.2.c

Predict how dance impacts communities.

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DA.PR.1

Movement, Technique, and Performance

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DA.PR.1.1

Demonstrate developing dance technique, vocabulary, and skills in various styles with emerging artistic expression.

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DA.PR.1.1.a

Use a range of movement and vocabulary to demonstrate artistic expression.

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DA.PR.1.1.b

Demonstrate phrasing with and without musical accompaniment using various rhythms and sounds.

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DA.PR.1.1.c

Perform with others to establish relationships with dancers and the environment.

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DA.PR.1.2

Identify and apply anatomical principles and healthful practices to a range of technical dance skills.

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DA.PR.1.2.a

Evaluate and apply healthful strategies (e.g., nutrition, injury prevention, emotional health, overall functioning) and safe body-use practices that are essential for the dancer.

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DA.PR.1.2.b

Demonstrate anatomical terms (e.g., muscles, bones, tendons, ligaments, joint articulations) as they relate to dance. Apply kinesthetic principles and various body systems.

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DA.PR.1.2.c

Demonstrate body coordination while moving (e.g., balance, coordination, flexibility, alignment, core strength).

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DA.PR.1.2.d

Explore movement that develops a wide range of motion, muscular flexibility, strength, and endurance. Explore different body conditioning techniques.

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DA.PR.1.3

Develop production strategies that correlate with performance intention.

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DA.PR.1.3.a

Create and apply personal goals to enhance performance strategies and practices.

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DA.PR.1.3.b

Collaborate with peers on rehearsal processes.

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DA.PR.1.3.c

Evaluate possible designs for the production elements of a performance and select and execute the ideas that would intensify and heighten the artistic intent of the dances.

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DA.PR.1.3.d

Model performance etiquette and performance practices during class, rehearsal, and performance.

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DA.PR.2

Create, Compose, and Choreograph

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DA.PR.2.1

Experiment with movement to explore personal preferences and possibilities through improvisation.

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DA.PR.2.1.a

Investigate individual connections with movement.

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DA.PR.2.1.b

Apply intermediate/advanced improvisational skills and techniques.

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DA.PR.2.1.c

Evaluate personal preferences and possibilities for movement.

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DA.PR.2.1.d

Adapt ideas to fit the needs of their group and community.

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DA.PR.2.2

Demonstrate creative processes both independently and with a group.

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DA.PR.2.2.a

Refine choreography collaboratively or independently based on artistic criteria, self-reflection, and the feedback of others.

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DA.PR.2.2.b

Analyze the process and the relationship between the stimuli and the movement.

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DA.PR.2.2.c

Analyze and evaluate impact of choices made in the revision process.

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DA.PR.3

Historical and Cultural Context

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DA.PR.3.1

Arrange, perform, and critique era and culturally specific movement sequences.

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DA.PR.3.1.a

Discuss, embody, and describe dance technique and movement vocabulary specific to a culture.

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DA.PR.3.1.b

Recognize one’s own cultural, personal, and historical biases when analyzing dance from a culture different from one’s own.

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DA.PR.3.1.c

Identify commonalities and differences in dance technique and vocabulary across cultures.

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DA.PR.3.1.d

Use era and culturally specific themes and movements in creating sequences.

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DA.PR.3.2

Research and differentiate cultural and historical dance forms and traditions.

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DA.PR.3.2.a

Compare and contrast dance from different cultures across time.

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DA.PR.3.2.b

Analyze cultural traditions and historical eras as represented through dance.

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DA.PR.4

Reflect, Connect, and Respond

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DA.PR.4.1

Critique and respond to dance with awareness of vocabulary and technique.

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DA.PR.4.1.a

Respond to dances using appropriate language of movement and technical terminology.

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DA.PR.4.1.b

Reflect on personal connections to the dance.

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DA.PR.4.1.c

Analyze the structure, technique, and choreographic intent of the dance viewed.

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DA.PR.4.2

Demonstrate the connections between other art forms, school subjects, professions, and community roles with dance.

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DA.PR.4.2.a

Integrate the use of school subjects such as music, visual art, language arts, math, science, and others and in dance.

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DA.PR.4.2.b

Investigate career opportunities integrating dance with the surrounding communities.

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DA.PR.4.2.c

Articulate connections between dance and their social activities and communities.

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DT.6.1

Create

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DT.6.1.1

Generate and conceptualize artistic ideas and work.

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DT.6.1.1.a

Identify possible solutions to staging challenges in a drama/theatre work.

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DT.6.1.1.b

Identify possible solutions to design challenges in a drama/theatre work.

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DT.6.1.1.c

Explore a scripted or improvised character by imagining the given circumstances in a drama/theatre work.

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DT.6.1.2

Organize and develop artistic ideas and work.

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DT.6.1.2.a

Analyze to improve, refine, and evolve original ideas and artistic choices in a devised or scripted drama/theatre work.

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DT.6.1.2.b

Contribute ideas and accept and incorporate the ideas of others in preparing or devising a drama/theatre work.

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DT.6.1.3

Connect artistic ideas to personal experience and varied perspectives.

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DT.6.1.3.a

Explain how the actions and motivations of characters in a drama/theatre work impact perspectives of self, community, or culture.

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DT.6.1.3.b

Investigate the time period and place of a drama/theatre work to better understand performance and design choices.

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DT.6.1.4

Refine towards completion of artistic work.

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DT.6.1.4.a

Examine and articulate choices to refine a devised or scripted drama/theatre work.

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DT.6.1.4.b

Identify and employ effective physical and vocal traits of characters in an improvised or scripted drama/theatre work.

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DT.6.1.4.c

Explore a planned technical design during the rehearsal process for a devised or scripted drama/theatre work.

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DT.6.2

Perform

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DT.6.2.1

Select, analyze, and interpret artistic work for presentation.

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DT.6.2.1.a

Identify the essential events in a story or script that make up the dramatic structure in a drama/theatre work.

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DT.6.2.1.b

Experiment with various physical and vocal choices to communicate character in a drama/theatre work.

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DT.6.2.2

Develop and refine artistic techniques, choices, and work for presentation.

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DT.6.2.2.a

Participate in a variety of acting exercises and techniques that can be applied in a rehearsal or drama/theatre performance.

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DT.6.2.2.b

Articulate how technical elements are integrated into a drama/theatre work.

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DT.6.2.3

Connect artistic work with audience, community, and ensemble.

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DT.6.2.3.a

Establish a relationship with the audience and the ensemble during a performance of a drama/theatre work.

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DT.6.2.4

Convey meaning through the presentation of artistic work.

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DT.6.2.4.a

Adapt a drama/theatre work and present it for an audience.

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DT.6.3

Critically Respond

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DT.6.3.1

Perceive and analyze artistic work.

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DT.6.3.1.a

Describe and record personal reactions to artistic choices in a drama/theatre work.

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DT.6.3.2

Interpret intent and meaning in artistic work.

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DT.6.3.2.a

Explain how artists make choices based on personal experience in a drama/theatre work.

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DT.6.3.2.b

Identify cultural perspectives that may influence the evaluation of a drama/theatre work.

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DT.6.3.2.c

Identify personal aesthetics, preferences, and beliefs through participation in or observation of drama/theatre work.

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DT.6.3.3

Connect artistic experiences to our world; past, present, and future.

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DT.6.3.3.a

Research the story elements of a staged drama/theatre work and compare them to another production of the same work.

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DT.6.3.4

Apply criteria to evaluate artistic work.

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DT.6.3.4.a

Use supporting evidence and criteria to evaluate drama/theatre work.

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DT.6.3.4.b

Analyze the production elements used in a drama/theatre work to assess aesthetic choices.

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DT.6.3.4.c

Identify a specific audience or purpose for a drama/theatre work.

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6.1

Observe and Learn to Comprehend

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6.1.1

Apply the language of visual art and design to distinguish and differentiate meanings.

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6.1.1.a

Respond verbally or in written format justifying and interpreting a work of art using the language of art and design.

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6.1.1.b

Develop from oneself and various cultures a mental storehouse of images and the uses, symbolism and meaning of those images.

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6.1.2

Compare art from various historical, contemporary and cultural sources.

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6.1.2.a

Describe and discuss the general characteristics of a work of art from various historical time periods.

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6.1.2.b

Interpret a variety of works of art while being respectful and mindful of culturally sensitive themes.

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6.1.2.c

Analyze works of art from various time periods and world cultures by their components of style and design.

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6.1.2.d

Evaluate how interpretations of works of art change based on the viewer’s time, place and culture.

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6.1.3

Utilize key concepts, issues and themes to connect the visual arts to other disciplines.

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6.1.3.a

Identify skills, ideas and themes in the visual arts that are influenced by other content areas.

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6.1.3.b

Create works of art using skills from other disciplines.

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6.2

Envision and Critique to Reflect

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6.2.1

Interpret meaning and evaluate works of visual art and design recognizing diverse points of view.

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6.2.1.a

Interpret meaning in works of art from a variety of perspectives.

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6.2.1.b

Research and compare works of art from different times and places.

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6.2.2

Describe, analyze and interpret works of art using specific art vocabulary.

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6.2.2.a

Describe and analyze works of art using the language of visual art and design.

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6.2.2.b

Explain the visual qualities of a specified work of art from multiple points of view.

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6.3

Invent and Discover to Create

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6.3.1

Plan the creation of a work of art utilizing feedback.

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6.3.1.a

Use feedback from peers to plan and create works of art.

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6.3.1.b

Propose revisions to works of art using the language of visual art and design.

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6.3.1.c

Evaluate redirection and revision during the creative process.

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6.3.2

Explore various media, materials and techniques used to create works of visual art and design.

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6.3.2.a

Recognize and utilize the individual characteristics of each medium.

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6.3.2.b

Identify and differentiate the relationships between media choice, art processes and final solutions.

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6.3.2.c

Create and display works of art using a wide variety of contemporary and available media.

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6.3.3

Utilize current and available technology to refine ideas in works of art.

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6.3.3.a

Evaluate various technological processes used to make art.

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6.3.3.b

Recognize and discuss how technology operates in the creation of works of art.

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6.4

Relate and Connect to Transfer

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6.4.1

Infer from works of visual art, design, and visual culture using interdisciplinary knowledge, how diverse communities address issues relevant to their culture, place, and times.

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6.4.1.a

Explain and create works of art that incorporate everyday life, traditions, customs and special events.

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6.4.1.b

Draw conclusions from representations of ancestry in works of art.

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6.4.1.c

Identify and explain cross-disciplinary connections in works of art.

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6.4.2

Investigate art and other careers that use creative and design thinking.

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6.4.2.a

Investigate how art is incorporated into contemporary careers.

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6.4.2.b

Research an art-related career of personal interest.

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6.4.2.c

Explain the contributions that art historians, cultural anthropologists, philosophers of art, engineers, computer designers, software engineers or others make to their community and society as a whole.

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6.4.3

Investigate how art addresses contemporary issues and community and societal concerns.

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6.4.3.a

Display research about artists that engage in social commentary.

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6.4.3.b

Research the motivation for works of art that address social issues.

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